Basquiat

Jean-Michel Basquiat (1960–1988) was born and raised in Brooklyn, the son of a Haitian-American father and a Puerto Rican mother. At an early age, he showed a precocious talent for drawing, and his mother enrolled him as a Junior Member of the Brooklyn Museum when he was six. Basquiat first gained notoriety as a teenage graffiti poet and musician. By 1981, at the age of twenty, he had turned from spraying graffiti on the walls of buildings in Lower Manhattan to selling paintings in SoHo galleries, rapidly becoming one of the most accomplished artists of his generation. Astute collectors began buying his art, and his gallery shows sold out. Critics noted the originality of his work, its emotional depth, unique iconography, and formal strengths in color, composition, and drawing. By 1985, he was featured on the cover of The New York Times Magazine as the epitome of the hot, young artist in a booming market. Tragically, Basquiat began using heroin and died of a drug overdose when he was just twenty-seven years old.

This exhibition gathers together more than one hundred of Jean-Michel Basquiat's finest works, including many that have never been shown in the United States. It is organized chronologically, with special sections highlighting Basquiat's interest in music, language, and Afro-Caribbean imagery, along with his use of techniques such as collage and silkscreen.

The exhibition seeks to demonstrate not only that Basquiat was a key figure in the 1980s, but also that his artistic accomplishments have significance for twentieth-century art as a whole. Basquiat was the last major painter in an idiom that had begun decades earlier in Europe with the imitation of African art by modern artists such as Picasso and Matisse. Inspired by his own heritage, Basquiat both contributed to and transcended the African-influenced modernist idiom.



From Street to Studio
Basquiat once told an interviewer, "Since I was seventeen, I thought I might be a star." As a teenager, he plunged into the emerging eighties art scene. He met artists and celebrities at the Mudd Club; appeared on Glenn O'Brien's TV Party, a television show about the downtown scene; and starred in a low-budget film, Downtown 81 (New York Beat), based on his own life. All the time, he was also making art: hitting downtown Manhattan buildings with spray-painted aphorisms, selling hand-painted T-shirts and collages on the streets, and making drawings. His big break came in 1980, when critics singled out his work at the Times Square Show, an exhibition showcasing young New York artists. He finally got a studio in 1981, when his first New York dealer, Annina Nosei, invited him to paint in the basement of her gallery.

Until then, he had little money to buy supplies, so he painted on window frames, cabinet doors, even football helmets—whatever he could find. After Basquiat began to make money, the quality of his art materials improved. Even so, throughout his career he often chose to paint on rough, handmade supports and intentionally pursued the awkward look of outsider art.